At the beginning of April, the classic German TV series Verstehen Sie Spaß (which translates as ‘ Do You Understand Fun?’) entered a new season, with the moderator duties transferring from the long-serving Guido Cantz to Barbara Schöneberger, and the entire production moving from its familiar Munich location to the Berlin studio. Lighting designer Thomas Gerdon, who has been responsible for...
What was billed as one of the largest music festivals in the world, out in the Saudi desert, also broke new ground for GLP, as 360 of the new JDC Lines were used by lighting designer Sam Tozer for the first time on a single stage, at the massive MDLBeast Soundstorm EDM event. Set over four days on a 120-acre site outside Riyadh, the event was graced by over 150 world-famous DJs‚ including Armin...
Production designer Owen Pritchard-Smith used multiples of GLP’s impression X4 Bar 20 battens and JDC1 hybrid strobes for several rescheduled UK shows on Dermot Kennedy’s recent Better Days tour. These included dates at Alexandra Palace in London before the Irish singer headed off to the States. “Two of the Ally Pally shows were rescheduled from last year, and then a third date was added,” he...
The global launch of GLP’s highly anticipated impression X5 washlight is occupying one of the most unique stages in American TV history this spring, with the launch of the eight-part American Song Contest ( ASC), airing on NBC. Based on the EBU-organized Eurovision Song Contest ( ESC), which has been running for 65 years, and is the longest-running annual international televised music competition...
After celebrating 15 years lighting My Morning Jacket (MMJ) – including seven design cycles – any LD could be forgiven for running out of fresh ideas. But not Marc Janowitz, who recently started using GLP’s innovative KNV Dots – the latest in a long history of discovering solutions within the German company’s fast-evolving LED inventory. “In 2012 I first started stringing [impression] X4 as...
When Tess Minor (of Major Minor Designs) was handed her first big production design project last autumn, she wasn’t about to spurn the opportunity. The Canadian had carried out many roles as operator/programmer – including Kylie Minogue, where she worked alongside the artist’s frontline team of Rob Sinclair and Frank Strachan – and this provided the insight into the cornucopia of lighting and...
Essex-based rock band Nothing But Thieves recently completed a UK headline tour, with experienced LD Sam Tozer (of Vision Factory) masterminding their stage look, having been brought in to create a new style. He was working alongside lighting director Ryan Dennett and production manager Andrew Sweeney. “We wanted to create a show that matched the new art direction of the latest album,” he explains...
When the state of Illinois eased its stringent lockdown rules, and Chicago’s busy outdoor events schedule resumed, one person who was primed and prepped was Matthew Brotz, who runs locally based LEC Event Technology. Knowing that Chicago is capable of experiencing four seasons in a day, he realized that not only his large inventory of GLP product would need weather protection, but also moving...
Production designer Niller Bjerregaard turned to a large inventory of GLP fixtures, dominated by the JDC1 hybrid strobe and impression X4 Bar 20 batten, when Danish rock band Volbeat played the recent Aftershock Festival in Sacramento, California. Formed 20 years ago, the band’s stage set has been lit by Bjerregaard for the last 13 years, after he was initially hired for a one-off festival show....
Jazzopen Stuttgart has been one of the highlights in the event calendar of the Baden-Württemberg state capital since 1994. The recipe for success: Renowned jazz musicians and top international acts from the worlds of rock, pop, soul and blues performing on six stages spread across the city. With the help of 250 GLP moving heads, LD Jerry Appelt created optimum conditions for another glamorous show...