Geodis Park, home of Nashville Soccer Club, staged its first ever concert recently, hosting Shania Twain’s one-off Queen of Me stadium show. The concert was lit by André Petrus, well known as an experienced programmer, to add dimension to a concept conceived by creative producer and production designer Cory FitzGerald, of Silent House Productions. To create a fully immersive experience for the...
Lewis Capaldi is currently touring the States, having recently completed his biggest European tour to date, visiting arenas in 32 cities over two months. Having played one of the last concerts before lockdown in March 2020, the Scot was out with a lighting package provided by Neg Earth, and new conceptual stage scenography orchestrated by Cassius Creative. This was constructed largely around GLP...
Now approaching a decade of designing concept light shows for Manchester-based pop rock band The 1975 – earning him a prestigious KOI award in the process – Tobias Rylander has again delivered an inspired and original look for their current world tour, with assistance from over 100 of GLP’s impression FR10 Bars. After completing a handful of late autumn dates in the States, the band headed back...
GLP lighting solutions have been no strangers to Post Malone’s stage scenography over the years, and his latest Twelve Carat tour – with Dan Norman (of Evolve Lights) now in charge of the visuals – is no exception. Introduced to the creative team in 2019 to help program new songs that were added to the Runway tour, he has subsequently worked consistently with the Posty Touring team, along with...
When lighting and set designer Morgan Evans was about to embark on his first tour with Jessie J, he chose a floor package largely based around GLP’s versatile impression FR10 Bar, each meter-long batten containing 10 powerful 60 W RGBW LED sources. As a design associate to celebrated LD Tim Routledge for the past two years, Evans is a product of the BRIT School – as, coincidentally, is Jessie J...
When Austrian hip-hop artist and producer RAF Camora released his album Zenith in 2019, he announced it would be his last. But then the album Zukunft was released two years later, just a few months before the artist went one better with Zukunft II. This was more than reason enough to follow up with a tour through Germany, Austria, and Switzerland. Lighting designer Felix Seidel accompanied the...
Six years after working at Leicester’s Curve Theatre, in the UK, for the premiere of the new musical The Secret Diary of Adrian Mole, lighting designer Howard Hudson has returned to the venue to light the new production of A Chorus Line. Both shows have made heavy use of GLP’s award-winning LED moving heads. The LD notes that the iconic musical changed Broadway in the 1970s but that it was time...
GLP proved at this year’s PLASA Show that it is sometimes unnecessary to take more than a minimal booth to create maximum impact. Its formula for the UK’s premier trade fair, as it reawakens, was simple: take a stand immediately inside the main entrance and blitz the crowd with a battery of JDC Lines, its incredibly bright hybrid strobes, as they set foot inside the hall. These lined up alongside...
Joining forces with Red Nose Day and kitchen disco Isolation Nation, Glitterbox recently brought the curtain down on BBC1 Comic Relief’s main event. The online Red Nose Rave, the special after-party, further boosted the BBC1 fund-raiser. Taking place on a custom stage at the world-famous Royal Albert Hall, the venue was lit by Sam Tozer of Vision Factory, using new generation fixtures from the GLP...
The 10 th anniversary edition of the iHeartRadio Music Festival took place recently in Los Angeles. Among the stellar cast was Usher, broadcasting from a red-lit stage. Both his 20 minute set, and the generic lighting rig at the iHeartRadio Theater LA, were studded with GLP fixtures—supplied by locally based Volt Lites and put to work by LD Matt Ardine and programmer Mark Butts. While the generic...